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My hope is that I can take this opportunity to help other queer and Asian American filmmakers make their own work and that "Fire Island" will help them in their pitch meetings so there are more and more of these, and we can shoulder that pressure together as opposed to place it all on one movie at a time. But now in the distribution of it, I understand and feel the pressure of it. I just enjoy making the work, so that was my main goal. I benefitted from being an indie filmmaker I have no expectations of my work being seen. Making the film, I had to focus on the film itself. " Front Cover," Alice Wu's " Saving Face," and very significantly for me, Ang Lee's "The Wedding Banquet." There have been many movies they just have not necessarily gotten the exposure that we are getting with "Fire Island." It has marketing money behind it and a platform like Hulu. There's definitely pressure, but it has less to do with the film and more to do with the fact that this is a film that has this kind of opportunity. What can you say about representing the gay, Asian community? Is there pressure or opportunity to do this? "Fire Island" is one of the few gay male Asian rom-coms I've seen - "Front Cover" being another. Noah (Joel Kim Booster) and Howie (Bowen Yang) in "Fire Island" (Jeong Park/Searchlight) There's less pressure watching a drama like "Spa Night" or "Driveways." If people don't laugh, it's a terrible feeling. I had to work with my team to finesse every joke in the movie to maximize that feeling of surprise and ensuring it would get a laugh. It was a real learning experience for me. The difference between a joke working and a joke not working could be a single word, it could be a gesture, or it could be a couple frames in the edit. If I overmanipulated this, I would be forcing a tone instead of finding a tone. I was creating an environment where they could experiment and have fun. They were so good at being funny and improvising with each other, I wanted to let them find the tone themselves. I had a lot of conversations with Joel and did a lot of dramaturgical work, looking for places in the screenplay to emphasize humor, de-emphasize humor, overplay or underplay a joke, and then it was letting our cast take the lead. I did a lot of prep work in the conceptualization of the film, trying to understand the tone of the movie. Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course. That is what often leads to bad comedies they reach for the joke rather than have it come organically from the story or the characters. That's a how a laugh works - it's a surprise. With a comedy, you have to surprise audiences constantly. A big part of it is performance, another part is tone, and that's where there are the micro-level differences between a drama and a comedy. There are many different elements that are involved in finding that emotional truth. Audiences have to believe the moment unfolding in front of them. I think on a macro level, my goal is the same as a director whether I am directing a drama or a comedy. They were so good at being funny and improvising with each other, I wanted to let them find the tone themselves." Can you talk about how you approached the material?
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This film is a comedy, which is certainly a change of pace from your previous features which were more serious in tone. RELATED: The best new movies to watch from home, from "Everything Everywhere All at Once" to "Fire Island"Īhn chatted with Salon about "Fire Island." But "Fire Island" also addresses themes of race and class in addition to sexuality.
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Ahn allows the large ensemble of out gay actors (which includes Matt Rogers, Tomás Natis, Torian Miller, and Zane Phillips) to lean into the material with wit that is both droll and campy. The plot is an excuse for all the characters to attend parties, drink and do drugs, have sex (or not), and consider the meaning of love and friendship. What is more, Noah is both attracted to and repelled by Charlie's friend, Will (Conrad Ricamora, exceptional in the Darcy role). However, as Noah meddles in Howie's affairs, obstacles arise for the potential couple. In the film, Noah (Booster) helps his best friend Howie ( Bowen Yang) connect romantically with Charlie (James Scully), a hot doctor who seems attracted to him. ( Margaret Cho, playing a lesbian den mother, is the sole woman). moving dramas "Spa Night" and "Driveways," shows his talent for comedy with Hulu's " Fire Island." The film, written by and starring Joel Kim Booster, is a contemporary take on Jane Austen's " Pride and Prejudice," with an almost-all gay male cast.